"Need To Move"

"Aqua Talk"

2022

Art Work

HexaVision

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Currently, my work revolves around wood, which I use as a field of visual experimentation. Laser cutting becomes for me a drawing tool as much as a sculpting tool.

I develop patterns that I design as living forms, evolving structures. Each pattern is explored, declined, transformed. It is not a question of producing a fixed image, but of entering into a real research process.

My approach is guided by a reflection around the symbol and visual writing. Forms emerge as signs in transformation, between abstract language and organic construction.

Technology is not a simple means of production: it is an integral part of creation. Each technical constraint becomes a space for play, and each material a new way of making the pattern exist.

My work is thus situated on the border between digital craftsmanship, visual art and formal research — a constant dialogue between material, technology and symbol.

Unlit, the piece reveals a clean, graphic pattern through the contrast of laser-cut wood on a black background.

Backlit, it transforms: light activates the structure, reveals color, and alters the perception of its volume.

A single form, offering two distinct visual experiences.

• Dimensions : 90 cm

• Material : Okoumé wood, finished with protective varnish

• Production : Laser-cut with hand-drawn designs

• Additional elements : Fabric components and LED ribbon lighting

This work explores the liquid, reflective quality of epoxy, giving the impression that the pieces are floating on water. Composed of 200 hand-painted elements, it unfolds like a dynamic puzzle.

Crystals are embedded within the design, including a central labradorite, which brings iridescence, depth, and mystical energy, and drop-shaped quartz that enhance the overall vibration.

Each piece, each reflection, contributes to a reading in motion, suspended between light, material, and mystery.

• Dimensions : 50 cm

• Material : Okoumé wood, with tinted finish

• Resin: Epoxy

• Crystals: Central labradorite and drop-shaped quartzonents

• Dimensions : 22 × 18 cm

• Material : Okoumé wood, tinted finish

• Production : Laser-cut

• Resin: Epoxy

• Crystals: Drop-shaped rock crystals

These motifs, taken from the HexaVision series, explore a dimension inspired by Amazonian shamanism. This subseries, titled “Kiné” and “Tsensak”, is captured and preserved within an epoxy-filled frame, revealing forms emerging from invisible worlds. Droplet-shaped rock crystals amplify the energy and mystical presence of the composition.
Each piece invites the viewer to explore a space between the visible and the invisible, between matter, light, and sacred symbols.

In this piece, I sought to explore the layers and depths of black through the use of iridescent paints, imbuing the composition with a dark, mystical aura.
A selection of cabochon-shaped crystals, along with a raw crystal at the very center, amplifies the work’s energy, creating a luminous focal point that draws the viewer into a realm between shadow and light.

• Support : Okoumé wood
• Dimensions : 50 cm
• Paint : Iridescent black, layered to create deep shades and shifting reflections depending on the light
• Stones / Crystals: Lapis lazuli, amethyst, quartz, and snowflake obsidian

• Support: Okoumé wood
• Technique: Laser cut
• Paint: Spray paint
• Finish: Varnish
• Stones / Crystals: Tiger’s eye
• Dimensions: 39 cm

• Support: Okoumé wood
• Technique: Laser cut
• Paint: Spray paint
• Finish: Varnish
• Stones / Crystals: Rhodonite
• Dimensions: 39 cm

• Support: Okoumé wood
• Technique: Laser cut
• Paint: Spray paint
• Finish: Varnish
• Mirror: Copper-toned Plexiglas
• Dimensions: 39 cm

2022

Collection 2024 / 2025